Imprensa

Publicações
 Cadernos de Imagens #3 - Cineclube de Guimarães, 2016
A Process, Der Greif, 2014
Catálogo Festival Outono Fotográfico, 2014
Catálogo 12 º Festival Audiovisual Black & White , 2015
Catálogo 8 º Festival Audiovisual Black & White , 2011
Revista Golpe D’Asa, 2012


Despite The Illusion
Self Publish, Be Happy
F-Stop Magazine
Positive Magazine
Oitzarisme
The Open Show Portugal
Photo Criticism 2013 
Nova Photographia
Visual Culture Blog
Le Journal de la Photographie
Unless you will
Square Space Magazine
Archivo
doc! photo magazine

 
Destacado
Jornal Público, 2019 Maria “guardou o fogo para dias de pouca luz” e venceu o prémio Novos Talentos Fnac. > Ir ao artigo

Jornal Público, 2019
Maria “guardou o fogo para dias de pouca luz” e venceu o prémio Novos Talentos Fnac. > Ir ao artigo

L´oeil de la Photographie Le projet se concentre sur l’archétype de la mère. En basant mon travail sur mes références les plus proches, j’explique des gestes, des postures et des caractéristiques communs liés à l’heure et à l’endroit. > Ir ao

L´oeil de la Photographie
Le projet se concentre sur l’archétype de la mère. En basant mon travail sur mes références les plus proches, j’explique des gestes, des postures et des caractéristiques communs liés à l’heure et à l’endroit.
> Ir ao artigo

Lens Culture, 2018 Under the Surveillance of Ancient Animals Returning to where you grew up is always tricky: these dreamy images blend distant memories with feelings of nostalgia to produce a longing, loving portrait of home. > Ir ao artigo

Lens Culture, 2018
Under the Surveillance of Ancient Animals
Returning to where you grew up is always tricky: these dreamy images blend distant memories with feelings of nostalgia to produce a longing, loving portrait of home.
> Ir ao artigo

C41 Magazine, 2019 Maria Oliveira with a striking black and white speaks of the concept of Mother. Born in Ponte de Lima (1982) and currently living in Porto. Between 2018 and 2019 participates in the first Photography Biennial of Porto that wil

C41 Magazine, 2019
Maria Oliveira with a striking black and white speaks of the concept of Mother.
Born in Ponte de Lima (1982) and currently living in Porto. Between 2018 and 2019 participates in the first Photography Biennial of Porto that will take place in May 2019. In 2016 and 2017 was resident artist of Ci.clo Plataform of Photography, where was develop the project Saving fire for darker days, part of the itinerant collective exhibition ‘Unit & Division’ that will be held in 2017 and 2018 in diferent places, such Centro Português de Fotografia…
> Ir ao artigo

The Edge of Humanity Magazine, 2019 The Place Where Time Stands Still ”The project is based on the place where I was born and grew up. It works as annotations of my return to this important period of my life, the memories that I have and the wa

The Edge of Humanity Magazine, 2019
The Place Where Time Stands Still
”The project is based on the place where I was born and grew up. It works as annotations of my return to this important period of my life, the memories that I have and the way I feel this place now, after many years past .
> Ir ao artigo

Jornal Público, 2016 "Sob Vigia dos Animais Antigos", de Maria Oliveira, não é sobre Ponte de Lima , embora tenha sido parcialmente fotografado na secular vila minhota. A quietude, o silêncio, a penumbra inundam as imagens e vão de encontro à mel

Jornal Público, 2016
"Sob Vigia dos Animais Antigos", de Maria Oliveira, não é sobre Ponte de Lima, embora tenha sido parcialmente fotografado na secular vila minhota. A quietude, o silêncio, a penumbra inundam as imagens e vão de encontro à melancolia que Maria associa aos anos em que lá viveu.
> Ir ao artigo

Old Revista Fotográfica Entrevista a Maria Oliveira na Revista Fotográfica OLD nº73 > ir a entrevista

Old Revista Fotográfica
Entrevista a Maria Oliveira na Revista Fotográfica OLD nº73
> ir a entrevista

Revista Scopio, 2018 O projeto fotográfico “Guardar o fogo para dias de pouca luz” de Maria Oliveira é um trabalho que, pela forma como explora os aspetos estéticos e expressivos da imagem, introduzem um “outro espaço” entre o que é a representaçã

Revista Scopio, 2018
O projeto fotográfico “Guardar o fogo para dias de pouca luz” de Maria Oliveira é um trabalho que, pela forma como explora os aspetos estéticos e expressivos da imagem, introduzem um “outro espaço” entre o que é a representação realista do objeto (o seu valor de índice) e a representação de subjetividade da autora.
> Ir ao artigo

Urbanautica SAVING FIRE FOR DARKER DAYS The project focusses on the mother archetype. Basing my work on my closest references, I explore common gestures, postures, and characteristics related to time and place. Saving fire for darker days also exa

Urbanautica
SAVING FIRE FOR DARKER DAYS
The project focusses on the mother archetype. Basing my work on my closest references, I explore common gestures, postures, and characteristics related to time and place. Saving fire for darker days also examines the concept of mother as an element, mother-earth, and mother-nature.

Float Photo Magazine Under the surveillance of ancient animals | The project is based on the place where I was born and grew up. It works as annotations of my return to this important period of my life, the memories that I have and the way I feel

Float Photo Magazine
Under the surveillance of ancient animals | The project is based on the place where I was born and grew up. It works as annotations of my return to this important period of my life, the memories that I have and the way I feel this place now, after many years past

Mercedes vidal